項目標簽 設計公司:
Michel Desvigne PaysagisteOBR Paolo BresciaTommaso Principi
位置:
意大利
類型:
公園
文章分類:
景觀
標簽:
Prato
意大利中部城市Prato市政府希望將其市中心Misericordia e Dolce舊址空地改造為一個3公頃的公園，并于2016年一月就此舉辦了一場國際競賽。OBR Paolo Brescia聯手Tommaso Principi與Michel Desvigne Paysagiste，組成了一支經驗豐富，卻又各具所長的隊伍，并憑借其獨特，新穎卻又極具實踐性的方案，在競賽的最后階段戰勝了其他九位對手獲得優勝。總體來說，十個方案都展現了對現代都市與景觀關系的新思路，并最終為Parco的中央公園實現其區域的總體戰略目標的實現奠定了堅實的基礎。 OBR Paolo Brescia and Tommaso Principi with Michel Desvigne Paysagiste wins first prize in the international competition launched in January by the Municipality of Prato, Italy to design a 3-hectare park in the heart of the city, after the demolition of the former Misericordia e Dolce hospital. The jury, chaired by architect Bernard Tschumi, convened on Friday September 30 and Saturday October 1 to select the winner among 10 finalists. The winning project stood out for its ability to offer to the city of Prato an original, innovative and practical solution. The team, formed by experienced professionals, is characterized by a clear vision and a solid mix of different abilities. Alltogether, the 10 proposals express new ideas on the contemporary city and on its relationship with the landscape. The competition thus reached its final stage and offers to the city a concrete proposal for it Parco Centrale (Central Park): uno of the strategic objectives for the Municipality of Prato.
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2016-10-12 15:11 上傳
Prato的城市肌理，獨特而極富秩序感，從古羅馬時代遺存下來的網格狀空間秩序至今仍影響著如今不斷擴張的城市的空間格局。獲勝的方案正是將這種傳統的空間格局抽象化，在場地上延續、復制，呼應著城市的肌理。設計師計劃對古老的城墻進行修復，并以現代的手法重現意大利文藝復興時期的花園，通過藤架與樹籬劃分空間。在基地的北側，一座一層的小建筑面向公園開放。除了容納餐廳和其他公園相關設施外，還為藝術家畫室與臨時展出提供開闊的場地。 The winning project pays a lot of attention to the urban fabric of the city of Prato and to its extreme regularity: an orthogonal grid which, as a trace of the ‘cardo’?and the ‘decumano’ of the Roman grid, is still very persistent and is striking for its spatial and temporal diffusion. The project hence starts from the memory of the place and from its original urban forms to manipulate them, through abstraction. It enhances the historical city wall, it evokes traces of the Italian Renaissance gardens, organized according to perspectives, pergolas and hedges, and reinterprets them in a contemporary language. To the north of the site, the pavilion is a one-storey structure, open towards the park. Beside restaurants and other park-related facilities, it accommodates ample spaces for artists’ ateliers and temporary exhibitions.
▽ 總平面圖，公園空間呼應著城市的網格狀肌理，the project starts from its original urban forms
▽ 通過藤架與樹籬劃分空間，the park is organized according to perspectives, pergolas and hedges
▽ 北側的建筑向公園開放， the pavilion is a one-storey structure, open towards the park
▽ 建筑設計，drawings of the architecture
設計師說：“這個公園如同一個開放式的博物館一般。公園的中心散落著各式的現代雕塑，而環繞其繁盛生長的植物也經過了精挑細選，極富美學價值，色彩繽紛而濃烈，與藝術品相較亦毫不遜色。” In the words of the designers: “The park itself soars to the status of open-air museum. In the heart of the park contemporary sculptures are exhibited, along with a collection of plants that will be selected not merely for their botanical features, but also for their aesthetic qualities, their colors, their exuberance. Displayed in such manner, these natural elements will become art pieces themselves.”
▽ 繁盛生長的植物也經過了精挑細選， a collection of plants will be selected for their aesthetic qualities
▽ 公園平面圖，plan of the park
▽ 剖面，section
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